![]() I took some shots and upon review found that a few of them would be usable. I made my way through the crowd to get some wide shots of the stage and happened to find myself at the right place and the right time when vocalist Brian Wille got the crowd waving their arms side to side. ![]() I wanted to freeze time for just a second or two so I could get myself together, but the show must go on – and it did, so I did too.īy the end of their third song, “ The Death We Seek,” I was finally in my groove. Having missed the first song of Currents’ set, I felt immense pressure to make the best of my time and get caught up. You can use the first song to get dialed in, hammer it out during the second song, and get your “just in case” shots during the third. Running up the stairs, I made my way to the photo pit, dropped my bag, and pulled out my camera just as Currents began their second song, “ Into Despair.”īeing allowed three songs to shoot from the pit is kind of perfect. In other words, I was not prepared for this situation. ![]() So at 7:32 when I was going through security and thought to myself “the house music is super loud, it almost sounds like it’s live”, I was surprised to realize Currents was already halfway through their first song.Īs you may recall from a few sentences ago, I am used to being the type of guy that helps people finish setting up for their party because they took the party’s start time literally. Despite the traffic, I arrived with 30 minutes to spare – or so I thought.ĭoors at 7. As one would expect at 5 o’clock on a Friday, the drive to Long Island was a solid red line on Google Maps for the majority of my drive. But New York City traffic cares not about my desire for punctuality. I am the person who is at the airport way too early where “on time” means “running late.” I am the person that arrives to a show right around doors, even if there’s five bands and I only care about seeing the headliner. For more from Parrot Analytics, visit the Data and Analysis Hub. Showtime has long courted female audiences, so bringing “Billions,” “Dexter” and “Yellowjackets” to Paramount+ could also round out an older, male-skewing viewership.ĭaniel Quinaud is a senior data analyst at Parrot Analytics, a WrapPRO partner. Showtime, once fully combined would account for 12.5% of demand, and the two together would outweigh CBS as the largest contributor to Paramount+ demand. Paramount+ originals accounted for only 11.6% of demand for the streaming service. Right now, CBS shows are the primary feeder to Paramount+, followed by Nickelodeon. Sources for Paramount+ shows by original network (Parrot Analytics) But there’s more to the new Paramount+ With Showtime premium service. Paramount’s move to consolidate its subscription services, Paramount+ and Showtime, into one offering can be seen as a cost-cutting move, and that’s largely how Paramount sold the move to Wall Street. According to Parrot Analytics’ Corporate Demand measurement, which assesses the potential value and strength of original content in the licensing market, Paramount came in third last year, behind only the Walt Disney Company and Warner Bros. And overall demand for the Paramount library is strong. Through “Yellowstone” streams on Peacock, its buzz has helped spin-off shows that run on Paramount+. There may be something to Bakish’s awareness argument. Demand for corporate libraries, 2022 (Parrot Analytics) ![]()
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